Art Dubai 2010
March 17–20, 2010
Madinat Jumeirah, Dubai

In 2010, Bidoun Projects is the curatorial partner of Art Dubai, responsible for programming a series of non-commercial exhibitions, commissions, screenings and educational events that engage with the fabric of the fair. Our projects at the fair are kindly supported by the Emirates Foundation.

The projects range from A New Formalism, a group exhibition, including Hazem El Mestikawy, Iman Issa, Mahmoud Khaled and U5, that looks at new and expanded formalist practices, to a series of commissions that dwell on the spectacular, temporal nature of an art fair. These include new installations by Ebtisam Abdul-Aziz and Vartan Avakian, and a set of ice sculptures designed by Farhad Moshiri. Nikolas Gambaroff and Matt Sheridan intervene at Madinat Jumeirah with Nowhere for Nothing, a stoop designed to encourage loitering.

Bidoun Projects has commissioned Sophia Al Maria, Khalil Rabah and Daniel Bozhkov to act as guides, conducting narrative and performative tours of the fair. (Places are limited: please sign up in advance at the Art Projects Desk.)

Babak Radboy and Ayman Ramadan, Forms of Compensation
Forms of Compensation, an exhibition situated within Art Dubai’s gallery halls, is a series of reproductions of iconic modern and contemporary artworks, with an emphasis on sculptures, paintings and prints by Arab and Iranian artists. The series was produced in Cairo by craftspeople and auto mechanics in the neighborhood around Townhouse Gallery, overseen by artists Babak Radboy and Ayman Ramadan, working from installation shots of the original artworks, along with the instruction that each copy should differ in one small way from its referent.

Alice Aycock, Sand/Fans, 1971
This year’s projects also dwell on the nature of documentation. A trio of artists and writers (Shumon Basar, Haig Aivazian and Naeem Mohaieman) are ‘in residence’ at the Global Art Forum and at the Art Park Talks, mapping the (naturally contested) conversations and moments – both those remembered and in real time. In keeping with the Global Art Forum’s theme of ‘Crucial Moments’, Alice Aycock’s seminal 1971 installation Sand/Fans, with sand sourced from the UAE desert, will be recreated.

Bidoun Video in the Art Park features guest curators Sohrab Mohebbi and Özge Ersoy along with Masoud Amralla Al Ali, Aram Moshayedi, and Bidoun Projects, shown in a screening room and in the Bidoun Lounge in daily screenings hosted by the curators. A dynamic discussion programme includes talks and performances looking at the relationship between archives, art, music and film, in collaboration with the online avant-garde archive, UbuWeb.

The Bidoun Library is a collection of books, catalogues, journals, music and ephemera that traces contemporary art practices as well as the evolution of the various art scenes of the Middle East. At Art Dubai 2010, the resource space features a selection of innovative artists’ and children’s books (as well as music and films) published by Kanoon, Iran’s Centre for the Intellectual Development of Children and Young Adults, founded in 1961, which was an incubator for some of the country’s most celebrated artists and filmmakers, including Abbas Kiarostami, Amir Naderi and Farshid Mesghali.

Art Dubai 2010
March 17–20, 2010
Madinat Jumeirah, Dubai

In 2010, Bidoun Projects becomes the curatorial partner for Art Dubai, taking on all non-commercial programming at the art fair. The Art Park will feature video programs curated by Bidoun and guest curators Masoud Amralla Al Ali, Aram Moshayedi, and Ozge Ersoy & Sohrab Mohebbi, plus a series of talks and performances co-curated with UbuWeb; a group exhibition looks at new and expanded formalist practices; and Bidoun has commissioned new performances and sculptural works that interact with the fabric of the fair. We will update you nearer the time, but hope to see you in Dubai this March!

The Opening Ceremony of the Burj Dubai was to take place at 8pm on January 4th. I had been hearing from the always-consistent, sometimes-reliable Dubai rumor mill that the masses would so crowd the malls and courtyards surrounding the tower for the festivities that it was vital to get to the scene by 5pm. I tried to verify the validity of all this, only to get vague responses like, “You know, that’s Dubai Time for ya!”. When I asked what that meant, I got an even vaguer, “Who knows? Sometimes its on time but other times something stupid happens”. Regardless, we decided to heed the warnings and managed to get out of the house by 5ish (which is pretty admirable by general Middle Eastern standards). We had called for a taxi, but when it didn’t show, my dad came up with an abrupt and messy plan which called for all of us to stand at different points along the stretch of road and make independent taxi-hailing efforts. Despite all logic, this worked and we were soon on our way. The taxi driver had a strange laugh and my father looked at him as though insulted by his audacity. (more…)

January 10, 2010—February 10, 2010
the shelter
t +971.4.434 5655
p.o.box 11370
Dubai, UAE

In November 2009 Bidoun launched a new, monthly exhibition project aimed at highlighting the work of art photographers based in the UAE.

The Portfolio Project this month will be featuring two former students of the American University of Sharjah, Aisha Miyuki Ansari and Zeinab Hajian, both of whom were taught by AUS professor and artist Tarek Al Ghoussein. The novelty of compositional experimentation and thematic exploration that marks academic work in art photography distinguishes the January series from previous month’s artists Hind Mezaina and Mohamed Somji.

More information on the artists on the Portfolio Project’s page