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COVER

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LETTER FROM THE EDITOR

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NEWS

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PREVIEWS

Work in Progress: Teelya Artist Yasmeen Alawadi discovers some old fogies playing marbles (and makes a film about it)

Museums: The United Nations
The museology of world peace
Mary Blair Taylor and
Negar Azimi


Opinion: Paved with good intentions
Political opposition and the pitfalls of international support
Noushin Ahmadi

Curatorial Column: Global Epidemic Art in the age of globalization
Mai Abu Eldahab

Artist Project:
Project Misplaced
Houman Mortazavi

Profile: Serkan Ozkaya
November Paynter

Travel: Grand Hotel Londra
The second nicest place to
stay in Istanbul
November Paynter

Interview: Aside from being
wildly intelligent
Okwui Enzewor discusses the relevance of biennials and the business of art with Michele Maccarone

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ICONS

Intro: I'm looking through you
George Pendle on the slip of
the icon


Edward Said I:
Thank god he wasn't French
Tirdad Zolghadr

Edward Said II:
The stupidest word
Christopher Hitchens discusses his friend and foe with Emran Qureshi

GOOGOOSH: Private Devotion
The world of Googoosh's
biggest fan

Negar Azimi

Images selected by
Ketuta Alexi-Meskhishvili

Tent City: Two worlds, an automaton and a skyscraper
Remembering the revolutionary form of Beirut's Martyrs' Square
Tony Chakar

The Yacoubian Building: A Cairo apartment building thrust into
the limelight
Ursula Lindsey

Yul Brynner: Hollywood's
one-man melting pot
Brian Ackley

Artist project in collaboration with Bidoun: SIDEWALK MAGIC
Yto Barrada and
Simona Schneider


Ataturk: National rhetoric versus contemporary art in Turkey
Erden Kosova

The new Iraqi flag: An exercise in identity manipulation
Fawwaz Traboulsi

The Wall: Settlement archeology
Eyal Weizman in conversation with Markus Miessen


Javad Yasari: Second hand fridge salesman, singing legend of the Tehran bazaar
Coco Ferguson and
Khosrow Hassanzadeh


Artist project in collaboration
with Bidoun: HISTORY OF
THE WORLD
Hassan Khan

Shaaban: Egyptian gangsta rappa and improbable hero of the people
Yahia Lababidi

Political Campaigns: The political economy of gloss
Christopher Pinney

Portraiture: Bahram Afandizadeh talks to Negar Azimi about his photography studio at Imam Khomeini Square, Tehran

Cat Stevens: The pop idol forgoes his fame for his faith
Mary Blair Taylor

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MUSIC

Islamic Chic: Religion hopping in the life of Michael Jackson
Yahia Lababidi

Music is Kontagious: Turkish hip hop rolls deep in south London
Gervase de Wilde

The Popular that is not Pop: An album cover for the anxious
Hassan Khan

Stylistic Tourism: Pop's new orientalism
Kevin Braddock

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FILM

Summer Film Festival Diary
Yesim Tabak and Antonia Carver

Tehran as Movie Panorama:
An iconography
Mazyar Lotfalian

Dances With Wolves for Muslims: Seeing the Islamic side of the crusades through Kingdom
of Heaven
Antonia Carver

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FASHION

75%: Archetypes of Tehran: Photography: Peyman Hooshmandzadeh
Art Direction: Hushidar Mortezaie

Art Market: If loving you is wrong Gulf collectors appropriate the cannons of orientalist painting and raise some awkward questions
Antonia Carver

Interview: There is art here,
lower your voices
On art and its urban entourage, Istanbul 2005
Vasif Kortun and Secil Yersel in conversation

Photo48 :
Diana Allan and Mahmoud Zeidan

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DESIGN

Turning flags into infographics
Foote Cone and Belding's ad campaign for Grande Reportagem

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BOOKS

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REVIEWS

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PRODUCTS

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BIDOUN PHRASE BOOK:
Part 1: Farsi

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COOKING
with Khosrow Hassanzadeh

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AFTERTHOUGHT :
Mr Lebanon: Anatomy of an icon
Elizabeth Rubin









Bidoun Magazine and Bidoun.com Copyright 2007